XVIII SUMA FLAMENCA Festival Flamenco de la Comunidad de Madrid XVIII SUMA FLAMENCA Festival Flamenco de la Comunidad de Madrid XVIII SUMA FLAMENCA Festival Flamenco de la Comunidad de Madrid
domingo, 1 octubre 2023
  • [Soporte, publicidad]
  • [Sobre deflamenco]
  • [Faq]
  • [Tienda/Shop]
Revista DeFlamenco.com
Cardamomo Flamenco -  Madrid
  • REVISTA
    • Noticias de Flamenco
    • Reseñas
    • Entrevistas
    • Especiales
    • Festival de Jerez
    • Opinión
    • De tablao en tablao
    • Moda flamenca
    • Radio
    • Más flamenco
    • #MiAñoFlamenco
  • AGENDA
    • CARTELERA
    • Flamenco online
    • Flamenco en Madrid
    • Flamenco en Barcelona
    • Flamenco en Andalucía
      • Flamenco en Sevilla
      • Flamenco en Jerez & Cádiz
      • Flamenco en Málaga
      • Flamenco en Córdoba
      • Flamenco en Jaén
      • Flamenco en Huelva
      • Flamenco en Almería
      • Flamenco en Granada
    • Flamenco en España (resto)
      • Flamenco en Aragón
      • Flamenco en Asturias
      • Flamenco en Baleares
      • Flamenco en Canarias
      • Flamenco en Cantabria
      • Flamenco en Castilla la Mancha
      • Flamenco en Castilla-León
      • Flamenco en Ceuta / Melilla
      • Flamenco en Extremadura
      • Flamenco en Galicia
      • Flamenco en La Rioja (Logroño)
      • Flamenco en Murcia
      • Flamenco en Pamplona
      • Flamenco en el País Vasco
      • Flamenco en Valencia
    • Flamenco en Europa
      • Flamenco en Francia
      • Flamenco en Alemania
      • Flamenco en Holanda & Bélgica
      • Flamenco en Italia
      • Flamenco en Reino Unido
      • Flamenco en Portugal
      • Flamenco en Suiza
      • Flamenco en Resto de Europa
    • Flamenco en América
      • Flamenco en Canadá
      • Flamenco en Estados Unidos
      • Flamencos en México / Centro América
      • Flamenco en América del Sur
    • Flamenco en el Mundo
      • Flamenco en África
      • Flamenco en Australia
      • Flamenco en Japón & Asía
    • Flamencos EN GIRANew
  • CURSOS
    • Cursos Flamenco online
    • Calendario Cursos de Flamenco (general)
    • Cursos Flamenco en Sevilla
    • Cursos de Flamenco en Jerez & Cádiz
    • Cursos Flamenco en Madrid
    • Cursos flamenco en Barcelona
    • Cursos Flamenco en Málaga
  • ARTISTAS
    • Cantaores & cantaoras
    • Guitarristas
    • Bailaores & bailaoras
    • Otros/Grupos
    • Compañias
    • Espectáculos
    • Management
  • MEDIA
    • Twitch – Flamenco live
    • Fotografías
    • Videos
  • GUÍA DE FLAMENCO
    • Escuelas y estudios de Flamenco
    • Tablaos flamencos
    • Teatros, Salas de Concierto
    • Peñas de Flamenco
    • Bares Flamencos, restaurantes
    • Moda Flamenca, complementos
    • Tiendas de Flamenco
    • Guitarrerias, luthiers
  • CATÁLOGO
    • Cds de flamenco
    • Libros de flamenco
    • Dvds de flamenco
    • Vinilos de Flamenco
  • Tablaos
    • Entradas / Tickets – Tablaos flamenco
    • Noticias
    • Madrid
      • Donde ver buen flamenco
      • Cardamomo
      • Tablao de la Villa
      • Las Tablas Flamenco Madrid
      • Tablaíto La Gloria
      • OléOlá en Teatro Eslava
      • Tablao Flamenco 1911
      • Centro Cultural Flamenco de Madrid
      • Essential Flamenco
      • Café Ziryab
      • Corral de la Moreria
      • Teatro Flamenco Madrid
    • Barcelona
      • Tablao Flamenco Cordobes
    • Granada
    • Sevilla
  • [ENGLISH]
    • News
    • Show Reviews
    • Interviews
    • Special Reports
    • Flamenco Shows in MadridNew
      • Cardamomo Flamenco Madrid
      • Las Tablas Flamenco Madrid
      • Corral de la Moreria
      • Essential Flamenco
      • Café Ziryab
      • Teatro Flamenco Madrid
      • Tablao 1911
      • Centro Cultural Flamenco de Madrid
    • Special Festival de JerezNew
    • Flamenco fashion
    • More flamenco
    • Opinion
    • My Flamenco Year
  • TIENDA
    • Cds, libros, vinilos
    • Compra publicidad
  • –
No Result
View All Result
  • REVISTA
    • Noticias de Flamenco
    • Reseñas
    • Entrevistas
    • Especiales
    • Festival de Jerez
    • Opinión
    • De tablao en tablao
    • Moda flamenca
    • Radio
    • Más flamenco
    • #MiAñoFlamenco
  • AGENDA
    • CARTELERA
    • Flamenco online
    • Flamenco en Madrid
    • Flamenco en Barcelona
    • Flamenco en Andalucía
      • Flamenco en Sevilla
      • Flamenco en Jerez & Cádiz
      • Flamenco en Málaga
      • Flamenco en Córdoba
      • Flamenco en Jaén
      • Flamenco en Huelva
      • Flamenco en Almería
      • Flamenco en Granada
    • Flamenco en España (resto)
      • Flamenco en Aragón
      • Flamenco en Asturias
      • Flamenco en Baleares
      • Flamenco en Canarias
      • Flamenco en Cantabria
      • Flamenco en Castilla la Mancha
      • Flamenco en Castilla-León
      • Flamenco en Ceuta / Melilla
      • Flamenco en Extremadura
      • Flamenco en Galicia
      • Flamenco en La Rioja (Logroño)
      • Flamenco en Murcia
      • Flamenco en Pamplona
      • Flamenco en el País Vasco
      • Flamenco en Valencia
    • Flamenco en Europa
      • Flamenco en Francia
      • Flamenco en Alemania
      • Flamenco en Holanda & Bélgica
      • Flamenco en Italia
      • Flamenco en Reino Unido
      • Flamenco en Portugal
      • Flamenco en Suiza
      • Flamenco en Resto de Europa
    • Flamenco en América
      • Flamenco en Canadá
      • Flamenco en Estados Unidos
      • Flamencos en México / Centro América
      • Flamenco en América del Sur
    • Flamenco en el Mundo
      • Flamenco en África
      • Flamenco en Australia
      • Flamenco en Japón & Asía
    • Flamencos EN GIRANew
  • CURSOS
    • Cursos Flamenco online
    • Calendario Cursos de Flamenco (general)
    • Cursos Flamenco en Sevilla
    • Cursos de Flamenco en Jerez & Cádiz
    • Cursos Flamenco en Madrid
    • Cursos flamenco en Barcelona
    • Cursos Flamenco en Málaga
  • ARTISTAS
    • Cantaores & cantaoras
    • Guitarristas
    • Bailaores & bailaoras
    • Otros/Grupos
    • Compañias
    • Espectáculos
    • Management
  • MEDIA
    • Twitch – Flamenco live
    • Fotografías
    • Videos
  • GUÍA DE FLAMENCO
    • Escuelas y estudios de Flamenco
    • Tablaos flamencos
    • Teatros, Salas de Concierto
    • Peñas de Flamenco
    • Bares Flamencos, restaurantes
    • Moda Flamenca, complementos
    • Tiendas de Flamenco
    • Guitarrerias, luthiers
  • CATÁLOGO
    • Cds de flamenco
    • Libros de flamenco
    • Dvds de flamenco
    • Vinilos de Flamenco
  • Tablaos
    • Entradas / Tickets – Tablaos flamenco
    • Noticias
    • Madrid
      • Donde ver buen flamenco
      • Cardamomo
      • Tablao de la Villa
      • Las Tablas Flamenco Madrid
      • Tablaíto La Gloria
      • OléOlá en Teatro Eslava
      • Tablao Flamenco 1911
      • Centro Cultural Flamenco de Madrid
      • Essential Flamenco
      • Café Ziryab
      • Corral de la Moreria
      • Teatro Flamenco Madrid
    • Barcelona
      • Tablao Flamenco Cordobes
    • Granada
    • Sevilla
  • [ENGLISH]
    • News
    • Show Reviews
    • Interviews
    • Special Reports
    • Flamenco Shows in MadridNew
      • Cardamomo Flamenco Madrid
      • Las Tablas Flamenco Madrid
      • Corral de la Moreria
      • Essential Flamenco
      • Café Ziryab
      • Teatro Flamenco Madrid
      • Tablao 1911
      • Centro Cultural Flamenco de Madrid
    • Special Festival de JerezNew
    • Flamenco fashion
    • More flamenco
    • Opinion
    • My Flamenco Year
  • TIENDA
    • Cds, libros, vinilos
    • Compra publicidad
  • –
No Result
View All Result
Revista DeFlamenco.com
No Result
View All Result
Home Revista Entrevistas

José Valencia: “It's annoying when people decide what kind of singer you are, and what you must and must not do”

by DeFlamenco
15 12 2017
in Entrevistas, Interviews
José Valencia:  “It's annoying when people decide what kind of singer you are, and what you must and must not do”
Comparte en FacebookCanal TelegramComparte en Twitter

Sara Arguijo
Photos: © AlejandroEspadero

The Lebrija singer will be at Madrid's Sala García Lorca on Saturday, December 16th, along with guitarist Manuel Parrilla to offer “the kind of recital that keeps the classic contemporary flamenco flame burning”.

 

He’s been singing his whole life, on stages big and small, in all the cities of the world, yet he speaks like someone just starting out.  Not out of false modesty or insecurity, nor anything similar, but rather because José Valencia has lived and seen enough to understand that performing artists only survive if they have their feet firmly planted on the ground, knowing how to sacrifice or reinvent themselves, whatever…

Duquende & Pedro el Granaíno
Publicidad DeFlamenco

So he uses the word “struggle” to describe the path he decided to follow on his own a few years ago, taking advantage of the backing provided by his Giraldillo al Cante prize in the 2012 Bienal, the critical and popular success received for his recording “Directo” and projects such as the tribute to Juan Peña El Lebrijano, for which he also received the Giraldillo al Momento Mágico in the last Bienal.  And each day he strives for the heights because he has a name of his own.  Being known as “just a singer for dance” is an injustice that hurts him, although he’s learning to conceal it.

José Valencia

– This Saturday you have a date at Madrid’s Sala García Lorca, how do you get these gigs?

– It’s where I come from, and what I’ve been doing all my life.  I’m as I was at the beginning, singing alone once again and becoming known as José Valencia.  What’s more, although I consider myself more of an artist than a flamenco singer, because I like to propose shows that allow me to go beyond just sitting in a chair and singing, I feel I have the obligation and the right to continue offering these recitals that keep the flame of classic contemporary flamenco alive.  

-Would you say being versatile is an advantage for an artist, or is it more rewarding to be labeled?

-That’s up to the critics and the general public to say, but I think a singer of the 21st century has to strive for something more.  There exists a concept of the flamenco singer as something static, when the ear and the eye can receive a wide variety of emotions.  I think an artist must be concerned with that, and be as complete as possible.  It’s beneficial for all concerned.

 “In flamenco it’s very hard to shake certain labels”

– How precarious is the performing world?

– It’s complicated because we live from what we do, there’s no salary at the end of the month, so you have to be constantly creating and searching for opportunities.  Also, today you’re in one place, no one remembers you, and there are many people lining up behind you.  We always talk about the nice part, but there’s another world you never see.  It’s very complicated, and all the more so when politicians think of culture as entertainment, something unimportant, not a social or educational necessity.  But art exerts an influence, which in itself makes it important.

-In this sense, you’ve been over a year without singing for dance…

-Exactly.  It’s like starting all over again.  Leaving behind what you had, and betting on yourself once again, needless to say with knowledge and the backdrop of an entire career.  In flamenco it’s very difficult to shake certain labels, and if you’re considered a “singer for dance” – which is a thoroughly unfortunate label because you’re a singer, period – it seems you can’t move away from that.  It’s become the norm, that anyone who wants to have a career as solo singer has to stop singing for dance.  Without a doubt, it’s a hard and scary decision, but you have to face up to that to achieve your objective.  The important thing is to keep moving forward and do things, more or less viable, in which your personal mark shows.

“I feel more like an artist than a flamenco singer, because I like to propose shows that go beyond just sitting in a chair and singing”

-I remember once when you were leaving a concert, a flamenco fan admiringly said you were the greatest one of all, and you quickly stopped him…is a person never that great or that bad?

-An artist has to be allowed to flow, you can’t praise or destroy so quickly.  We have to make mistakes to see the best of ourselves, and also to be able to see the worst.  I also think it’s not good to put someone on a pedestal for having done a first thing very well, you have to see the evolution.  We go very quickly in everything, and first we ought to know what is the flamenco concept we want to defend.  I don’t know if we want to sell a contemporary classic, or offer the most avant-garde thing, nor what the norms are for constructing all that.  We have to look at what’s being done, whether we’re looking for personality or trying to imitate something.  Right now there’s a lot of confusion and we’re a bit lost.

-In your opinion what’s the first lie you hear about flamenco?

-The first lie, and which I do not tolerate, is when people say that flamenco is partying and drunkenness, something associated with the life-style of Andalusia.  Flamenco is something else, and that concept shouldn’t continue to circulate.

“The first lie, and which I do not tolerate, is when people say that flamenco is partying and drunkenness”.


-We know it was especially hard for you to continue with the project “De Sevilla a Cádiz” after the death of El Lebrijano?  What was the most difficult thing?

The hardest thing was Juan’s death.  To have a singer like that by your side, and then he’s gone…  I didn’t know how to tackle the project in order to respect his original idea.  For that reason I turned to the person most in contact with him, personally and professionally, his nephew Pedro María Peña, and from that starting point we decided to make it a tribute, and show the philosophy he left in this first work.  Everything was very easy with Pedro because we shared a similar perspective on art in general.  I’ve always been in love with my town, its singers and above all, that blond gypsy.

-What legacy has he left you?

-Juan is one of the best flamenco singers of the second half of the twentieth century, and a pioneer in many ways.  After sharing so many conversations with him, you’re left with many ideas and many paths to follow.  His discography is worthy of study.  A different sort of singer with a genuine personality, the starting point that communicated everything from that wonderful generation of la Niña de los Peines and Tomás Pavón, up until the present.  I was fortunate enough to have talked a great deal with him, and that personal experience is what I have left, because I was there.  He has left me an enormous legacy that I am going to keep defending, studying and learning from.

-Why does the current generation continue to insist on learning from the maestros?

-It depends on each one’s objectives.  It’s true we’re in an era more given to imitation then re-creation, and it’s possible we might be bogged down in that way.  I see we don’t question anything, I don’t know if it’s a lack of interest, or because we believe that everything exists in the wonderful world of Internet.  But Internet flamenco isn’t going to give us the answer, what it can do is lead to more confusion.  Youtube has become a way of learning, it’s actually a way of spreading information, and there are still many people alive who know a great deal.  That’s what I was saying about Juan, it wasn’t what you heard him sing, it was what he explained to you.  But of course, it depends on whether we want to be good artists, or celebrities who make a lot of money.  There’s a very big difference.

-What are you working on these days?

-Well, this year is ending with many projects for the coming one.  I’m very interested in looking at what my race is doing in other countries, and showing the cultural intellectual facet of gypsies, which is also very interesting, and people ought to know about.  I’ve also got some things in mind about classic flamenco, and I don’t rule out doing some theater.  We’ll see.  What I’m concentrating on is myself, José Valencia.  Then we’ll see which way the wind blows.

-After so many years singing, what’s the hardest thing to conserve?

-With time, a person calms down somewhat, learning to take things differently.  You don’t get angry so often, and you’re more selective about what you want to do.  What I don’t like is when people decide what kind of singer you are, and what you have to do or not do.  I’d never ask an artist to do anything that wasn’t right for him or her.  In flamenco it seems like you have to side with one group or another.  It reaches a point that so much labeling is a pain because you don’t know if it’s flamenco, if it’s now or new or whatever…and this has only one name.  Flamenco interpreters are already argumentative enough that we don’t need followers of the art also to be in a state of confusion.  That’s why what I try to do is give my best, and give thanks to God for being able to make a living doing what I like.

-What’s missing in flamenco according to José Valencia?

-What I do miss is relationships with people.  I believe an artist needs to be surrounded by interesting people in order to become enriched.  It used to be, without so much technology, there was more contact.

 

José Valencia

 


Tags: José ValenciaSala García Lorca
Tablao flamenco 1911 -  Madrid Tablao flamenco 1911 -  Madrid
Previous Post

No-risk Réquiem for Morente

Next Post

Javier Ruibal – Sala García Lorca

Related Posts

Festival de la Guitarra de Sevilla
Noticias

XII Festival de la Guitarra de Sevilla

Cádiz Flamenco - Jueves Flamenco
Fotografías

La Tacita flamenca y sus avíos

José Valencia - con Jerarquía - Festival de Jerez
Festival de Jerez

José Valencia: un dios vulnerable

Video José Valencia Festival de Jerez
Festival de Jerez

Video José Valencia en el Festival de Jerez

José Valencia & Gema Moneo - con Jerarquía - Festival de Jerez
Festival de Jerez

Fotografías José Valencia en el Festival de Jerez

Next Post
Aurora Vargas

Aurora Vargas and Pansequito. An invitation to life

Please login to join discussion
Ciutat Flamenco 2023 - 30 años de flamenco
Viernes Flamencos Barakaldo
Cardamomo - Tablao Flamenco Madrid
Cádiz es flamenco - Patrimonio histórico
Concurso Flamenco Silla de Oro 2023
Revista de arte flamenco - El Canon
Emociones - Teatro Flamenco Madrid
Tablao de la Villa - Madrid
Las Tablas Flamenco Madrid
Teatro Flamenco Sevilla - 'Pasión' - Verano flamenco

Más vistos

  • Presentación Festival de Jerez 2024

    Presentación del 28 Festival de Jerez 2024

    495 shares
    Share 198 Tweet 124
  • Suma Flamenca 2023 del 17 de octubre al 5 de noviembre con el lema ‘Crisol flamenco’

    1669 shares
    Share 668 Tweet 417
  • “El flamenquito no existe. Tú cuando vas a un concierto de rock, ves rock, no rockito”

    451 shares
    Share 180 Tweet 113
  • 6º Festival Flamenco de Club en el Café Berlín

    449 shares
    Share 180 Tweet 112
  • Marcos de Silvia, Lucía Beltrán, Claudia La Debla en Suma Flamenca Joven

    432 shares
    Share 173 Tweet 108
Gregorio Moya - No duerme nadie CD
cds de flamenco

Gregorio Moya “No duerme nadie” CD

Primer disco del cantaor manchego Gregorio Moya CANTE A CANTE El disco se abre con Estrella, los tangos del disco ...

Javi Andreu - Romance (cd)
cds de flamenco

Javi Andreu “Romance” – CD

- Información del artista: Guitarrista nacido en Murcia (1977), con comienzos en la música desde la infancia, la mayor parte ...

Cristina Soler - Mar de cobre
cds de flamenco

Mar de cobre – Cristina Soler (cd)

El pasado marca el presente, pues los pasos dados tiempo atrás nos llevan al hoy. Cristina Soler es una cantaora que siempre ...

Juan Habichuela Nieto - 8 abrazos para Lorca
cds de flamenco

JUAN HABICHUELA NIETO ‘8 Abrazos Para Lorca’

Juan Habichuela Nieto publica su nuevo disco: Ocho Abrazos Para Lorca. Un nuevo trabajo en donde el guitarrista granadino homenajea a Lorca ...

libros de flamenco

“Color flamenco” de Ingri Mariscal (libro)

Ingri Mariscal nace en Sevilla en 1989, en una familia muy ligada al arte, su abuelo materno, pintor y cartelista le ...

Nuestro Twitter - Síguenos

Recomendamos

Exposición Mujeres Flamencas - Ateneo de Madrid - Paco Manzano
Oct 04 - 07 2023

XVIII Suma Flamenca “Crisol flamenco” – Ateneo de Madrid

La Tremendita- Suma Flamenca
Oct 06 2023

ROSARIO ‘LA TREMENDITA’ TREMENDA ORIGEN – Teatro de Barakaldo

Duquende & Pedro el Granaíno
Oct 13 2023

Duquende y Pedro “el Granaíno”

Suma Flamenca 2023
Oct 17 2023 - Nov 05 2023

Suma Flamenca 2023

¡No hay eventos!
Facebook Twitter Pinterest Instagram Youtube Twitch Telegram

Aviso Legal / Política de Privacidad / Uso de Cookies
Condiciones de Uso y Normas de Publicación de Anuncios Clasificados

¡Atención! SUSCRIPCIÓN COMPLETA a través de Wordpress.com
Introduce tu correo electrónico y recibirás un email por cada entrada que publiquemos.


Newsletter (envío boletín mensual con Mailchimp)


¿Quiénes somos?
Soporte, publicidad y patrocinio

Mi Cuenta

© 2018 Deflamenco.com - ADN Flamenco Web Services S.L.

No Result
View All Result
  • REVISTA
    • Noticias de Flamenco
    • Reseñas
    • Entrevistas
    • Especiales
    • Festival de Jerez
    • Opinión
    • De tablao en tablao
    • Moda flamenca
    • Radio
    • Más flamenco
    • #MiAñoFlamenco
  • AGENDA
    • CARTELERA
    • Flamenco online
    • Flamenco en Madrid
    • Flamenco en Barcelona
    • Flamenco en Andalucía
      • Flamenco en Sevilla
      • Flamenco en Jerez & Cádiz
      • Flamenco en Málaga
      • Flamenco en Córdoba
      • Flamenco en Jaén
      • Flamenco en Huelva
      • Flamenco en Almería
      • Flamenco en Granada
    • Flamenco en España (resto)
      • Flamenco en Aragón
      • Flamenco en Asturias
      • Flamenco en Baleares
      • Flamenco en Canarias
      • Flamenco en Cantabria
      • Flamenco en Castilla la Mancha
      • Flamenco en Castilla-León
      • Flamenco en Ceuta / Melilla
      • Flamenco en Extremadura
      • Flamenco en Galicia
      • Flamenco en La Rioja (Logroño)
      • Flamenco en Murcia
      • Flamenco en Pamplona
      • Flamenco en el País Vasco
      • Flamenco en Valencia
    • Flamenco en Europa
      • Flamenco en Francia
      • Flamenco en Alemania
      • Flamenco en Holanda & Bélgica
      • Flamenco en Italia
      • Flamenco en Reino Unido
      • Flamenco en Portugal
      • Flamenco en Suiza
      • Flamenco en Resto de Europa
    • Flamenco en América
      • Flamenco en Canadá
      • Flamenco en Estados Unidos
      • Flamencos en México / Centro América
      • Flamenco en América del Sur
    • Flamenco en el Mundo
      • Flamenco en África
      • Flamenco en Australia
      • Flamenco en Japón & Asía
    • Flamencos EN GIRA
  • CURSOS
    • Cursos Flamenco online
    • Calendario Cursos de Flamenco (general)
    • Cursos Flamenco en Sevilla
    • Cursos de Flamenco en Jerez & Cádiz
    • Cursos Flamenco en Madrid
    • Cursos flamenco en Barcelona
    • Cursos Flamenco en Málaga
  • ARTISTAS
    • Cantaores & cantaoras
    • Guitarristas
    • Bailaores & bailaoras
    • Otros/Grupos
    • Compañias
    • Espectáculos
    • Management
  • MEDIA
    • Twitch – Flamenco live
    • Fotografías
    • Videos
  • GUÍA DE FLAMENCO
    • Escuelas y estudios de Flamenco
    • Tablaos flamencos
    • Teatros, Salas de Concierto
    • Peñas de Flamenco
    • Bares Flamencos, restaurantes
    • Moda Flamenca, complementos
    • Tiendas de Flamenco
    • Guitarrerias, luthiers
  • CATÁLOGO
    • Cds de flamenco
    • Libros de flamenco
    • Dvds de flamenco
    • Vinilos de Flamenco
  • Tablaos
    • Entradas / Tickets – Tablaos flamenco
    • Noticias
    • Madrid
      • Donde ver buen flamenco
      • Cardamomo
      • Tablao de la Villa
      • Las Tablas Flamenco Madrid
      • Tablaíto La Gloria
      • OléOlá en Teatro Eslava
      • Tablao Flamenco 1911
      • Centro Cultural Flamenco de Madrid
      • Essential Flamenco
      • Café Ziryab
      • Corral de la Moreria
      • Teatro Flamenco Madrid
    • Barcelona
      • Tablao Flamenco Cordobes
    • Granada
    • Sevilla
  • [ENGLISH]
    • News
    • Show Reviews
    • Interviews
    • Special Reports
    • Flamenco Shows in Madrid
      • Cardamomo Flamenco Madrid
      • Las Tablas Flamenco Madrid
      • Corral de la Moreria
      • Essential Flamenco
      • Café Ziryab
      • Teatro Flamenco Madrid
      • Tablao 1911
      • Centro Cultural Flamenco de Madrid
    • Special Festival de Jerez
    • Flamenco fashion
    • More flamenco
    • Opinion
    • My Flamenco Year
  • TIENDA
    • Cds, libros, vinilos
    • Compra publicidad
  • –

© 2018 Deflamenco.com - ADN Flamenco Web Services S.L.

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
 

Cargando comentarios...
 

Debe estar conectado para enviar un comentario.